Since Dos City came out, it feels like a lot of things have changed for you: your success is now international and brought more fans, you are now in a Deathbomb Arc roster, who released music from JPEGMAFIA, clipping, Death Grips, etc. Do you think it affected the process or your approach to the music after the debut?
I don't know how much of a success it is, but we are [definitely] under the influence of international marketing. I mean, without that, we would not have been able to collaborate with Injury Reserve. But at the same time, when we approach [the] music itself, it's just [the] same as before. If you felt something new, it's just our new direction and the shift of the relationship among us three has had a much bigger influence on the album in my opinion.
In
one of your interviews we could see that the entire process is happening in Zo Zhit’s home studio. There are egg cartons on walls, stacks of vinyl and audio equipment, and I figure this is where Dos City was born. I remember
in my review of the project I was so stunned by that video it was the very first thing that I started describing to our readers before even going into the album. Did you record the new album at the same location?
Haha, thanks for digging. Yes, still [at] the same Zo's home/studio, same old equipment. Zo's got a nice couch now. But the way we recorded is pretty much the same. We gather there, do nothing for a while, then write and record.
オタク IN THA HOOD : Dos Monos
«Each of us picked 4 songs for 4 seasons: Spring, Summer, Fall and Winter»
[
according to the group, the 4 tracks from Dos Siki represent the same concept, symbolizing all seasons of the debut’s Dos City]